Furniture designer and maker James Walker was awarded Highly Commended at Australia’s Next Top Designers 2025 for the Pyrmont Shelf—a hand-carved, wall-mounted timber shelf that beautifully balances form and function. What began as an impromptu studio project quickly evolved into a refined, sculptural solution that reflects James’s ethos of craftsmanship, practicality and intuitive design.
In this Q&A, James shares how the timber guides his creative process, why imperfection fuels uniqueness, and what’s next as he continues to grow his practice from within the renowned JamFactory studios.
Can you tell us about the inspiration behind the Pyrmont Shelf and how it reflects your design ethos?
The Pyrmont Shelf came about almost by accident while I was experimenting with carving and needed some functional shelving in my studio. I wanted to find a way to easily mount an organically carved form directly on the wall, and the first prototype surprised me. I thought, ‘Hey, this is actually alright,’ and then spent the next couple of months refining the hardware to make the whole experience of installing feel more refined. I’m always drawn to finding ways to make my sculptural work just a bit more functional.
Your work blends sculptural form with everyday function. How do you strike that balance between practicality and artistry in a piece like the Pyrmont Shelf?
That balance really comes down to respecting the object’s purpose but not letting it dictate every decision. In my work, I try to make sure all the functional aspects are resolved first, then focus on bringing beauty and character to the design. For the Pyrmont Shelf, I wanted it to feel strong and satisfying to install, while also offering a hand-carved, one-of-a-kind solution for each customer, allowing the artistry emerging through the carving process itself, as the piece takes on its unique sculptural quality.
What does the process of making a piece like the Pyrmont Shelf look like from sketch to final product?
My process generally starts once I have the timber in my hands. I get to analyse the grain and the defects of the wood, and let it guide how I feel it should be shaped. From there, I sketch my general shape directly onto the material and begin carving. While I keep general shapes in mind, each piece truly evolves on its own. That freedom is what makes it exciting—no strict measurements or rigid shapes, just following what feels right.
What was it like showcasing your work at Design Show Australia and being part of Australia’s Next Top Designers?
It was a fantastic experience — being surrounded by so many talented designers and sharing my work with such an engaged audience was incredibly encouraging. It gave me greater confidence in the direction of my practice and reaffirmed just how much people appreciate thoughtful, well-crafted design. I had the chance to connect meaningfully with potential clients, interior designers, and peers, which was a real highlight of the event. Being highly commended made it even more special — it was an honour to have my work recognised and appreciated by such respected designers and judges.
What’s next for you?
Right now, I’m focused on expanding my range with more functional pieces, including larger furniture works and some lighting. I’m also actively seeking more opportunities to showcase my work, build relationships with galleries and retailers beyond my current networks, and connect with a wider audience. While at JamFactory, I want to continue to refine my craft, push myself to explore new forms and techniques, and develop ways to make my practice both more sustainable and more accessible.
Find out more about James Walker here.
Be sure to check out all the 2025 shortlists to see the incredible talent from this year’s competition! Australia’s Next Top Designers Award will return to Sydney in 2026.
